Production hisTOry
A Love Story In 8 Scenes
Written by Siddeeqah Shabazz
Directed by Simone Williams
A Love Story in 8 Scenes is about Ihsan, a teenage Muslim girl who thinks she’s got it all figured out…so far. And she light weight does – until Memo, a non binary teenager, moves in next door which turns Ihsan’s world upside down. When love and religion clash, which one do you choose?
Production History: World Premiere, September 9 - 17, 2022 at Open Eye Theatre as part of Exposed Brick's Through Our Eyes Festival.
From L to R: Tazrae Jemeli Song'Ony & Valencia Proctor. Photo by Dan Norman.
Freeing Assata
Written by Sterling Miller
Directed by Simone Williams
Freeing Assata explores the incarceration and liberation of the revolutionary political activist, Assata Shakur. Shakur, after being wrongfully incarcerated and subject to harsh/unconstitutional conditions as a political prisoner, escapes prison with the assistance of her ancestors.
Production History: World Premiere, September 9 - 17, 2022 at Open Eye Theatre as part of Exposed Brick's Through Our Eyes Festival.
Ninchai Nok-Chiclana as Assata. Photo by Dan Norman.
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Breathe (a ritual to undo)
Written by Ashawnti Sakina Ford
Directed by Antonio Duke
Breathe (a ritual to undo) is a moment of pause, a collective breath, a call to shake things up (in our bodies) so that we can continue a fight that was started long ago and may continue long after us. This ritual is intended to heal by allowing all of our emotions to flow in, out, and around us.
Production History: World Premiere, May 15 - 18, 2022 at the Capri Theater's Paradise Community Hall.
From L-R, Sterling Miller, Alexis Camille & Dana Lee Thompson. Photo by Bethany Jackson.
THROUGH OUR EYES
In 2020, Exposed Brick commissioned eight playwrights to write plays in response to the multiple pandemics impacting MN communities. Since 2020, we have been developing these plays through workshops and virtual staged readings.
Code You
by Nora Montañez
Directed by Cláudia Tatinge Nascimento
Staged Reading: 5/27/21
Breathe (a ritual to undo)
by Ashawnti Sakina Ford
Directed by Signe V. Harriday
Staged Reading: 5/7/21
The Front Line
by Ekhudah Zar
Directed by Eliza Rasheed
Staged Reading: 9/26/20
Freeing Assata
by Sterling Miller
Directed by H. Adam Harris
Staged Reading: 9/26/20
From Top L: Alex Barreto Hathaway, Nora Montañez, Ashawnti Sakina Ford, Sequoia Hauck, Ehkudah Zar, Sterling Miller, Taous Khazem, Siddeeqah Shabazz.
EDGES
Written by Ashawnti Sakina Ford
Directed by Joy Dolo
Edges is a collection of poems, stories, songs, and movement pieces exploring Black identity and self-advocacy through stories about hair. Hair is a central and intimate part of the African American experience. It reflects a rich culture and history – from pan-African styled head wraps to intricate braids – as well as the deeply painful experiences of being told that one’s natural hair is ugly, untamed or unprofessional. Based on real life stories and inspired by the style of Ntozake Shange's for colored girls who have considered suicide / when the rainbow is enuf, Edges’ non-linear vignettes explore the highs and lows of the Black hair experience.
Production History: Staged Reading, September 2018, World Premiere in 2020 postponed
From L-R, Charla Marie Bailey, Ryan-Olivia McCoy, Dana Lee Thompson & Siddeeqah Shabazz. Photo by Anna Min.
Freedom Daze
Written by Aamera Siddiqui
Directed by Suzy Messerole
In a world of “They hate freedom”, “If you see something, say something” andThe Terror Alert is...where can one find the truth? The Muslim ban didn’t happen overnight. Its seeds were planted long before 45or 9/11.Freedom Daze is a journey through the media maze of (mis)information and indoctrination that led to the creation of an enemy class of “them.” Using a multi-media approach and weaving together multiple storylines, the play follows an artist’s quest to discover how a childhood acquaintance, “The Girl in theYellow Dress” came to be sentenced to a life in solitary confinement.
Production History: December 2018 at Southern Theater, October 2015 (world premiere) at Intermedia Arts.
Aamera Siddiqui in the 2018 production of Freedom Daze. Photo by Dan Norman.
CLOTH
Written by Aamera Siddiqui
Directed by Suzy Messerole
How much is too much?How little is too little?And who gets to decide?From the burka ban in France to dress codes in our own communities, when it comes to women's clothing it seems like everyone has an opinion.CLOTHis anew work that explores women’s relationship to cloth, covering and choice, and the avalanche of factors influencing that choice
Production History: December 2017 (world premiere) at Southern Theater. October 2016 (staged reading) at Dreamland Arts.
Performers Taous Khazen, Marisa Carr, Daniel Sakamoto-Wengel, Aamera Siddiqui, Emily Zimmer & Siddeeqah Shabazz. Photo by Dan Norman.
American As Curry Pie
Written & performed by Aamera Siddiqui
Directed by Suzy Messerole & Meena Natarajan
In her one woman showAmerican as Curry Pie, Aamera Siddiqui reveals her family’s complex,multi-layered existence as South Asian and Muslim citizens in the U.S. Told with humor and honesty, Siddiqui challenges the inaccurate notion that Islamaphobia in this country began onSeptember 11, 2001.The play begins with the arrival of Aamera Siddiqui’s family to the U.S. in1976 and ends on election night 2008. Over the course of the play, Siddiqui plays 22+characters, including her father, mother, brother, aunties, friends & coworkers. Act One revolves around Siddiqui coming of age in this country and trying to co-exist between two realities: the culture inside the four walls of her home and the vastly different cultural landscape as soon as she stepped out the door. Act Two centers on navigating the realities of Islamaphobia that follow her across the U.S.
Production History: Undoing Racism Conference at Metro State University (Keynote Performance, 2019) ; Dreamland Arts (2016), Blake High School Diversity Symposium (Keynote Performance 2015), History Theater (world premiere, 2011, Women Playwrights' International Conference in Mumbai, India (showcase performance 2009).
The S.A.M's Plays
The S.A.M’sPlays are an evening of original work written and performed by Twin Citiesyouth. Originally inspired by“Special Administrative Measures”–a little known law that allows prisoners to be labeled a“S.A.M.’s prisoner” and become subject to extreme isolation–the play isa series of original pieces about how racism, Islamophobia and xenophobia impact and support the prison industrial complex. From the use of solitary confinement with youth to the conditions at deportation centers to stories of resistance and revolt, youth are giving voice to the need for change
Production History: May 2017
Benay McNamara in The S.A.M.'s Plays, photo by Ozomatli Zarate
Venus Nefanda
Written by Suzy Messerole
Directed by Anton Jones
In Edinburgh, Scotland, in 1810, two governesses are accused of committing of the crime of “venus nefanda” (sex with another woman) and their boarding school for girls is shut down. Their main accuser is a young half-Indian, half-Scottish girl with a powerful grandmother.Based on 800 pages of trial documents, Venus Nefanda explores the intersections of racism, colonialism and homophobiain the most famous lesbian court case of the 1800s
Production History: May 2016 (Dreamland Arts)
From L-R, Aamera Siddiqui & Suzy Messerole. Photo courtesy of Exposed Brick.
In Between
Written & Performed by Eliza Rasheed
Directed by Leah Jensen
What does it mean to be a multiracial/multicultural/multilingual global nomad in the 21st century?Eliza Rasheed traces her life for an answer, searching through her memories from growing up in a working class neighborhood in Taipei,Taiwan, to moving to the island of Male’, the Maldives. A young girl surrounded by a new language, new objects, and a father she hardly knows. With her pink suitcase as her constant companion Eliza re-defines borders that allow her to live“in-between.”
Production History: May 2016 (Dreamland Arts)
Eliza Rasheed in In Between. Photo by Sarah White.